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Showing posts with label Sabbath. Show all posts
Showing posts with label Sabbath. Show all posts

Tuesday, 29 January 2013

Goya's Dark Painting

Two days ago we were watching a program on BBC channel, in which the anchor travelled to Spain, Barcelona. Among the facts about this beautiful city, he was also telling about Spanish artist Francisco Goya and his Dark paintings. I used to see these paintings before but never knew the story behind them. It's a dark story of person's mental and physical suffering, as Goya became deaf due to some serious illness, and it lead to change in his art. This narrative disturbed me that much that I was trying to find more information about it since then.
Obviously that our creations reflect our inner self, our emotions, or their absence, our feelings. Goya's late paintings is a mixture of apocalyptic vision and despair. I would like to pay attention on one of them which is called Witches' Sabbath or The Great He-Goat which was created. The figures in this painting look like a solid piece of clay, they fear and their faces express horror. There is a girl sitting separately from others who seems to be calm, as she is observing the happening. It's said that she is likely to be initiated into coven.
(El Gran Cabrón/AquelarreWitches' Sabbath 
Certainly you don't need to be a visual arts specialist  to notice that the colors Goya chose for his painting are dark, light is dim, and the figure of Devil in goat's disguise/costume is more like a shadow than a real entity. What was the condition of a man who created such scary, disturbing picture? What did he see what other couldn't or were afraid of? The Peninsula war and other political causes of 19th century Europe serve as an explanation of Goya's dark images and scenes incarnated in his works.
But I feel it might be something like games which artist's mind played with him dragging out the darkest fantasies and making him to create on the walls of his house... and live among them, those fantasies. This Witches' Sabbath painting is just one of the examples of the artist's mental breakdown, which actually increased over ages, as he had painted another Witches' Sabbath before, but the colors in that picture were brighter and figures - more clear.
You can read more about Goya's art, the story of his isolated life and a search for some way out of the turmoil in his mind and chaos in the world. I found this painter's works actual for our modern time, when the world is distorted by wars, conflicts which sparkles even more violence, hatred, wish not to preserve but ruin.
I hope my post wasn't too gloomy, I just wanted to share some interesting subject with you, dear friends :) Hope you found some thoughts close to what you reflect on or, at least, worth reading once. I haven't started to discover my dear witches in other folk tales or any fiction, but I intend to start searching again :)

Thursday, 6 September 2012

Margarita's First Flight and Sabbath

Margarita applying a magical ointment
 In connection with the guest post "Margarita - a witch of a Russian descent" I continue to follow the venture of Bulgakov's character.

Margarita the witch
As it had been told, a newly turned witch Margarita heads towards the Sabbath. The Sabbath is a gathering of the witches during the full moon. This event takes place in the novel somewhere on the open grounds, far from  the Moscow city (this is where the story occurs), and Margarita has to reach it by riding her floor broom (a modified broomstick). While flying above the Arbat street she finds out that she is invisible and it gives her a certain amount of confidence. Margarita in anger breaks one of the street signs as she accidentally bumps into it, then flying further and higher she notices a "mass of a eight-storeyed house perhaps a newly built one", she is reminded of something by the board on it and enters the house's premises. She destroys the apartment of a critic who was involved in failure of the Master's writing career.
We can see that Margarita's nature changes. The belonging to the world of dark art makes Margarita to free herself and do things she always wanted to do but was afraid of even attempting. She becomes bold, defiant and even vengeful. This might be considered as a characteristic of a bad witch, however won't you behave the same in order to save your beloved?
The flight of Margarita is described by Bulgakov with such energy and beauty that many times while reading it I wish to try it once in a life myself... Margarita flies above the forests, fragrant meadows, cool ponds. The full moon is escorting Margarita all the way, after a fast ride she feels the proximity of water and later on sees a river and a glimpse of bonfire with small moving figures on the other bank. She then swims in the river's warm water and continues her way to another coast - towards the bonfire of Sabbath. Though Bulgakov doesn't call it so, I think that it is what meant to be.
an image to illustrate the story - couldn't fine the one with the full moon and fire
  As soon as Margarita appears the march is being played in her honour and all the witches bow, moroever she is called the Queen Margo now. The Sabbath gathers such creatures as goat-footed who offers Maragrita champagne, the mermaids (rusalka in Russian), the singing frogs and the witches themselves. The Sabbath in the novel presented as a cheerful event, where the participants dance, consume some wine, mermaids make roundelay and overall atmosphere is quiet pleasing.
Margarita is not at all scared of the sudden change of her life, she accepts it and goes with the flow. As I had told in the previous article, she seems to be a random choice of Woland but Koroviev (from the retinue of Woland) says to her: "... because you are yourself of the royal blood..." and gives few more hints which reveal that Margarita has one of the French Queens of XVI century as her ancestor! There are actually two French Queens who it could be related to: Marguerite de Navarre and Margaret of Valois. However, the latter is considered to be the one chosen by Bulgakov.
Our heroine lived one of the necessary events of the witches' life - Sabbath. Bulgakov's focus nevertheless is not on the witchcraft. itself but on the interpretation of powers hidden within us and the way we use them (or don't). The Margarita's journey hasn't come to an end yet as she still has a task to do after which she will get her Master back.
Bulgakov certainly knew a lot about witchcraft and described so many details of the rituals conducted during the Margarita's turning into a witch and afterwards. Sabbath was one of them. Another one called the great Ball at Satan's will be a culmination and one of the best written places in the novel. You are invited there too.
Yours sincerely,
Witchcraft and Literature